Ozhopé Collective (founded in 2017) is a group comprising two artists (Ella Banda and Massa Lemu), a photo/videographer (Tavwana Chirwa), and a writer (Emmanuel Ngwira). Ozhopé’s main concern is to collaboratively produce art that inspires conversations and invites people to critical thinking around issues that affect people’s quotidian existence. The group’s name derives from the word “wosopé”, a Yao term which translates as “all of them”. The word was uttered by an enthusiastic boy in reference to the artists who were busy with their work. It was subsequently adapted to “ozhopé” whose root speaks to the collective ethos that propels the group’s collaborative practice.
So far, Ozhope has been engaged in four projects. The first two, Row 1 and Row 2 are installments of a bigger project that aims to inspire conversations around Lake Malawi and the Malawi government’s intention to explore and drill for oil in the lake. These two projects, funded by Virginia Commonwealth University, are done in collaboration with fishing communities along the lake. The third project titled Zomba Market Conversations took the art produced along the shores of the lake in the form of images and short videos to a fish market at Zomba Central Market with the aim of inspiring conversations among fish vendors regarding the oil project and its implication on the vendors’ fish trade. The last project is about Covid-19 in Malawi. The project which is ongoing is funded by Pro-heveltia. Through memes and short video adaptations, the project deals with Covid-19 related issues affecting Malawi particularly those related to Covid-19 (mis)information and the country’s response to the pandemic.
Tavwana Chirwa is a photo and videographer currently studying for an advanced diploma in Computing. As a photographer, Chirwa is interested in the magic and beauty of nature, portraiture and everyday life. He has shot mini video documentaries for International organizations including UNICEF, Medicine San Frontières, WORLD VISION, OXFAM, EU, AND UNFPA. Chirwa is very conversant with video and picture editing packages, including Adobe Lightroom, Photoshop, After Effects and Premiere Pro.
Massa Lemu is a visual artist and writer whose multi-disciplinary artistic practice takes the form of text, performance, and multimedia installations that are concerned with the contradictions of migration, and the psychological effects of an immaterial, flexible and mobile capitalism on the post-colonial subject. Lemu makes interventions into objects, using aesthetics of politics to comment on the politics of aesthetics. His art has been exhibited at 1708 Gallery (Richmond, Virginia), Lawndale Arts Center and Rice University (Houston, Texas), and at University of Malawi, Chancellor College (Zomba, Malawi). As a writer, Lemu’s scholarly interests lie in what he calls a biopolitical collectivism in contemporary African art which he defines as an immaterial, subject-centered and collectivist art practice situated in everyday life. His writing has been published by Field Journal of Socially Engaged Art, The Burlington Contemporary, Wits University Press, Third Text, Stedelijk Studies Journal, and Contemporaryand. Lemu teaches in the Department of Sculpture + Extended Media at Virginia Commonwealth University.